Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

加入证人保护计划之前，银行抢劫犯米克尔（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）对警方提了三个要求，而这三个要求传递出的信息表明这次银行抢劫并不像看上去那样简单……

根据陀思妥耶夫斯基的同名短篇小说改编。 　　故事发生在俄国废除农奴制的1860年代。五品文官伊万·普拉林斯基是个出了名的自由派，一次拜访完同事回家的路上，偶然经过了自己的下属，十三品小吏波尔菲里·普谢尔多尼莫夫家，后者正在操办婚礼。普拉林斯基幻想自己的造访和施与的“仁慈”能让底层人民大受感动，从而被传为佳话，于是便借着醉意踏进了普谢尔多尼莫夫的家门。然而他立刻发现，底层的生活方式与他想象的完全不同…… 　　由于影射了赫鲁晓夫解冻时期的时局、大量使用怪诞手法、对底层民众的描摹欠缺人道与同情，电影在苏联一直遭到禁映，这也预示了勃列日涅夫时代文艺审查趋严的开端。直到杀青二十年后的戈尔巴乔夫改革年代，影片才得以上映。

和大部分女大学生一样，芭芭拉（露易丝·布尔昆 Louise Bourgoin 饰）有着年轻美丽的外表和对未来无限的期望，和男友尼古拉斯（皮奥·马麦 Pio Marmaï 饰）的恋情更让她相信她正在经历的是一生中最美好的时光。一个孩子的到来将一切美好粉碎殆尽，她无法想象在心智上还是一个孩子的自己竟然要做母亲了。

和大部分女大学生一样，芭芭拉（露易丝·布尔昆 Louise Bourgoin 饰）有着年轻美丽的外表和对未来无限的期望，和男友尼古拉斯（皮奥·马麦 Pio Marmaï 饰）的恋情更让她相信她正在经历的是一生中最美好的时光。一个孩子的到来将一切美好粉碎殆尽，她无法想象在心智上还是一个孩子的自己竟然要做母亲了。 　　在犹豫和期待中，芭芭拉选择了将孩子留下，没想到，孩子的出生则成为了芭芭拉的另一个噩梦。面对眼前这个毫无防备的小小生命，在为人母的艰巨责任面前，芭芭拉退却了，她怎么也弄不明白的是，成为母亲，这明明是一件幸福的事情，为什么会有那么多的悲伤和恐惧深藏其中呢？

每年都有数以百万计的人试图减肥，但大多都在重复失败。我们每天都在遭受节食和最新的如何保持苗条信息的轰炸。 But what really works?可到底哪些真的起作用呢？本节目，医疗记者Michael Mosley亲自调查科学瘦身的最新突破，揭示十种最简单的减肥方法。从浓汤的瘦身秘诀到不吃早餐对大脑的影响，他的发现也许会彻底改变您对节食、健康和减肥的观点。

明朝天启年间。出身卑微的殷影织遇到一个存在上千年的刺客组织暗影会，被告知自己身上流着刺客之王的血，而自己的父亲被人杀害。暗影会要将殷影织训练成超级刺客。要他为父报仇。谁知这本身就是天大的阴谋。

明朝天启年间。出身卑微的殷影织遇到一个存在上千年的刺客组织暗影会，被告知自己身上流着刺客之王的血，而自己的父亲被人杀害。暗影会要将殷影织训练成超级刺客。要他为父报仇。谁知这本身就是天大的阴谋。

意外重生至修仙世界，他觉醒了罕见的 “剑道通神” 天赋。此天赋赋予他超凡的剑道领悟力，只需给予足够时间，世间各类剑之大道，他皆能逐一钻研、融会贯通。凭借这份独特天赋，他在修仙之路上朝着剑道巅峰稳步迈进，从初入修仙界的新人，逐渐成长为注定名留青史的一代剑仙，书写属于自己的剑道传奇